Audubon Talk Nov. 9 on “The Costs of Plant Blindness”

I’ll be giving a Zoom talk on Thursday, November 9, from 6 to 7 p.m. CST for the Audubon Society of Northern Virginia about plant blindness, the inability to see or notice plants in everyday life. It also refers to failing to recognize the role of plants on Earth and believing that plants are somehow inferior to animals.

When I wrote Semiosis, one of my secret goals was to make my readers afraid of their gardens and afraid for plants in general. I’ll speak on how plant blindness affects our environment and what can be done to be more aware of the foundation of our ecosystems. Plants, like birds, connect us to the Earth.

You can join us. Sign up here.

My votes for the 2023 Hugo Best Novelette

This year the Worldcon will be held in Chengdu, China, and the 2023 Hugo Awards, the Lodestar Award, and the Astounding Award will be presented on Saturday evening, October 21, at a formal ceremony at the Chengdu Worldcon.

Although I won’t be attending in person, I’m a Worldcon member and get to vote for the awards. Members also make the nominations, and the works or individuals with the most nominations become the finalists.

The voting is by ranked choice, and here’s my ranking — of course, your opinion may differ:

6. “The Space-Time Painter” by Hai Ya (Galaxy’s Edge, April 2022) – Alas, no translation from Chinese is available. Given the quality of the Chinese works in the short story category, I was looking forward to reading this.

5. “We Built This City” by Marie Vibbert (Clarkesworld, June 2022) – Workers maintaining the dome over a city on Venus fight for their right to do their job in reasonable working conditions. Science fiction is always about the present.

4. “The Difference Between Love and Time” by Catherynne M. Valente (Someone in Time: Tales of Time-Crossed Romance, Solaris) – An extended metaphor eventually leads to an understanding of the difference between love and time, stylishly told with an uplifting ending.

3. “A Dream of Electric Mothers”, by Wole Talabi (Africa Risen: A New Era of Speculative Fiction, Tordotcom) – Technology manages to make tradition come true: ancestors can be consulted. But should their messages be trusted? Time and place, character and theme mesh to bring the answer.

2. “If You Find Yourself Speaking to God, Address God with the Informal You” by John Chu (Uncanny Magazine, July-August 2022) – Can you be friends with a superhero? Can a superhero solve one of today’s ugliest problems? John Chu explores these questions with a tender, breakable heart, and emotional honesty suffuses every sentence.

1. “Murder By Pixel: Crime and Responsibility in the Digital Darkness” by S.L. Huang (Clarkesworld, December 2022) – Can an AI unintentionally become a killer? Using the format of a magazine article, this story has the creepy feel of our present-day reality rather than science fiction. It even has footnotes.

The Science in Fiction podcast: Sue Burke on Intelligent Plants

Marty Kurylowicz and Holly Carson invited me to join them on their podcast, The Science in Fiction — and it’s now available for your listening pleasure.

We talked about the science of botany in my science fiction novel Semiosis and its sequel Interference. Plants have a lot of surprising behaviors, and the hosts learned things they didn’t know about tulips, apples, osage oranges, and giant ground sloths.

We also discussed my novels Immunity Index about a coronavirus pandemic — which I wrote before the covid-19 pandemic — and Dual Memory, which has recently arrived on bookstore shelves. I’ve just turned in the manuscript for the third installation of the Semiosis trilogy, Usurpation, due to be published in October 2024.

The Science in Fiction podcast will follow up this episode with an interview next week with Paco Calvo, professor of the philosophy of science and principal investigator at the University of Murcia’s Minimal Intelligence Lab in Spain, and author of Planta Sapiens.

Here are all the places you can listen to Ep 12: Sue Burke on Intelligent Plants in Semiosis.

Buzzsprout

Apple Podcasts

Spotify

Audible.ca

Amazon Music

Video from the Deep Dish reading

As you may recall, back on September 14 I read a short story called “The Virgin Who Rescues Dragons” at an event here in Chicago, the Deep Dish reading series, organized by the Speculative Literature Foundation. I was one of eight readers that evening.

If you couldn’t attend, you can watch videos of us. Here’s the link to the YouTube playlist.

The piece I read will be published this fall inThe Best of NewMyths Anthology Volume 4: The Cosmic Muse. Due to time constraints, the version I performed of “The Virgin Who Rescues Dragons” is abridged. The full version has a lot more jokes, so buy the book!

Watch my video here.

My votes for the 2023 Hugo Best Short Story

This year the Worldcon will be held in Chengdu, China, and the 2023 Hugo Awards, the Lodestar Award, and the Astounding Award will be presented on Saturday evening, October 21, at a formal ceremony at the Chengdu Worldcon.

Although I won’t be attending in person, I am a Worldcon member and get to vote for the awards. Members also make the nominations, and the works or individuals with the most nominations become the finalists.

Because the convention is in China, a number of Chinese works are on the ballot, including three in the short story category. I was looking forward to reading them, and I wasn’t disappointed. The voting is by ranked choice, and here’s my ranking:

6. “On the Razor’s Edge” by Jiang Bo (Science Fiction World, January 2022) – Chinese astronauts learn that American astronauts must be rescued from their space station — but there’s a lot of animosity between the two governments. Will they be rescued? Can they? This is a straight-up adventure story.

5. “D.I.Y.”, by John Wiswell (Tor.com, August 2022) – Two young self-taught magicians try to end a drought and wind up facing corporate greed. As usual with John Wiswell, there’s kindness, hope, humor, and a touch of sharp-eyed irony and cynicism. The two young magicians slowly dare to show their vulnerability toward each other.

4. “The White Cliff” by Lu Ban (Science Fiction World, May 2022) – An experiment comes to a thoughtful and heartwarming end. It’s hard to say more without spoilers.

3. “Rabbit Test” by Samantha Mills (Uncanny Magazine, November-December 2022) – The entire history of abortion is told as dystopia — which it is (I’ve been living it my whole life). This story made me angry, but not at the author. It was my choice for the Nebula Award, and it won, along with the Theodore Sturgeon Memorial Award, and I won’t complain if it or any of the stories on the ballot wins the Hugo, but I decided to lean toward works from the host country in my top votes because translated works don’t get on the ballot often.

2. “Zhurong on Mars” by Regina Kanyu Wang (Frontiers, September 2022) – Humans have abandoned Mars to machines, specifically a machine named Zhurong after the Chinese god of fire, and soon Zhurong discovers secrets. The story combines Chinese creation myths and the trajectory of the development of life on Earth in a way that feels satisfying.

1. “Resurrection” by Ren Qing, translated by Blake Stone-Banks (Future Fiction/Science Fiction World, December 2022) – A soldier is resurrected after death on the battlefield and sent home to visit his mother in their countryside village. Emotional depth and sharp characterization make this story stand out for me.