I translated the poems in Liquid Sand / Arena Líquida with my Spanish friend Christian. One of us would draft the translation of a poem, then we would pass it back and forth, debating words, lines, and meaning — the goal of a translation is always to maintain the meaning. We didn’t quibble much. Translation is easiest when the original work is well-written.

In the opening poem, “Nadie / No One,” Ulysses returns to Ithaca to become a specter among his own memories. While there’s no way to summarize a collection of 42 poems, the theme of time occurs often. Time moves, and we move, but in different directions for different reasons, as the poem “Negro Sol / Black Sun” says:

The afternoon weighs heavily
toward its settlement. Ours
is due to a harder sun
and we have had to learn
to walk beneath its burden.

Liquid Sand / Arena Líquida is the first major bilingual collection of poems by Jorge Valdés Díaz-Vélez, one of Mexico’s most respected contemporary poets. Published this month by Shearsman Books and available from most bookstores, it gathers works by Valdés Díaz-Vélez selected from six previous collections that span more than two decades of writing.

Madrid Review Magazine says:

“In these pages, Valdés Díaz-Vélez explores time, memory, and the fragile equilibrium between movement and stillness. His poems evoke the physical and emotional geographies of the Americas while questioning belonging, transformation, and endurance. The English versions retain the clarity and meditative strength of the originals, inviting readers to cross the line between two languages and two sensibilities. To read Liquid Sand / Arena Líquida is to encounter poetry that is precise, reflective, and alert to the unseen rhythms of contemporary life. It is a landmark publication for readers of bilingual and Latin American literature.”