Your father’s first Christmas

I wrote this piece as a Christmas present for my nephew in 2004.

This is your first Christmas, Sean, and since you’re only eight months old, I know this story might not impress you much, but it seems like the right time to tell it.

Your father was not quite three months old on his first Christmas, and I was ten years old. I knew enough about babies to know they don’t really do much at first, but eventually they grow into real people. That was the exciting puzzle. What was this new baby brother going to be like? We didn’t have many clues, but we watched for them all the time. Who was Louis Peter Burke?

Your Grandmother Burke died well before you were born, so you don’t know much about her. Here is her Christmas tree decorating theory: More is better. In architectural terms, it was rococo baroque.

During Christmas Eve day, we decorated the tree. First the lights went on — big lights, small lights, steady lights, twinkle lights, colored lights, white lights, all the lights we had, and there were plenty. Second, we hung every single ornament we had on the tree, and, again, there were plenty. If one was ugly or beat up, it went way in the inside where it could add color or sparkle without really being visible. The only rule was smaller stuff on top, bigger stuff on the bottom. Finally, we added tinsel and garlands of various types and colors to be sure there was maximum sparkle.

Then we waited for nightfall, since only a darkened house could do justice to the masterpiece we had created.

Meanwhile, we dressed your father in a red-and-white-striped elf-costume pajama set that an aunt had given him, complete with a pointy cap. He didn’t care for the cap but we made him wear it anyway, at least long enough for a photo, which may still be around somewhere. He looked more silly than elfish. He certainly had no idea about what was going on. He was too little to understand much of anything.

The moment to light the tree arrived. We turned out all the lamps and closed the front curtains to block the streetlight. With a flip of a switch, the tree flashed on, providing enough sparkling light to read by.

Your father’s eyes got big and he couldn’t take them off the tree. He liked it! He liked it a lot! Even when we turned the room lights back on, he continued to stare at the tree, fascinated.

It was a clue, the first clue I remember, about your father’s personality. He liked colorful, beautiful things — at least, we thought the tree was beautiful, and in a rococo way, it certainly was. We lit the tree for him throughout the holidays for the sheer fun of watching him enjoy it.

I don’t remember much else about that Christmas, like what I got as presents, what anyone else got, whether there was snow, or what we had for Christmas dinner. All I remember is the intense look of surprise and delight on your father’s little face, and how merry a Christmas he made it for all of us because we could make him happy, and because we had learned a little bit about him.

Finding out who someone is takes a long time. I’m still learning things about my brother Louis. Fatherhood, for example, has revealed new aspects of his personality and interests. In the same delighted way that I first saw so many years ago, he could not be more curious and excited to learn about you. Who is Sean Patrick Burke?

This is your father’s first Christmas with you. I hope it is merry.

Copyright © 2004 by Sue Burke, all rights assigned to Sean Patrick Burke.

Don’t just say no

Rejections and fun don’t mix – except this one time.

I wrote a horror story about vampires and started sending it out. The story made the second cut in an anthology but not the final one. Oh, well. I sent it out again right away and got a response of “close, very close” from the editor. Not bad!

Then … the very next magazine rejected it with a note saying that it was “cruel and evil.” Evil? A vampire horror story? Isn’t that the point? I laughed about it with my writer friends, and for a while I was known as “the evil Sue Burke.”

The next magazine rejected it with (this was by snailmail) a preprinted note saying: “We celebrate your achievement!” Although the editors couldn’t take the story, the note said, they wanted me to know how proud they were of me for having written it and taken part in the furtherance of literature. Or something like that. I think they meant it because they dropped a sprinkle of confetti into the envelope — really cool confetti. I used it to decorate my desk lamp.

I kept sending the story out, got rejections both bland and encouraging, and on the 21st try, I found a magazine that loved it and took it. A few years later the story was even reprinted in an anthology. All’s well that ends well.

I learned four things from this adventure:

1. Confetti should accompany all rejections. Or, now that we send most things out via internet, a picture of a cute kitten. How hard would that be?

2. Rejections are about the story, not about the writer, which is too bad because I’d really like to be evil.

3. As we all know, rejections are a necessary step toward publication. We can even make a game out of them. I wish I could remember who I learned this from so I could give her credit: Try to see if you can achieve a certain number of rejections in a single day. She suggested five, so I made that my goal. The most I’ve ever gotten is three.

4. I need more rejections if I’m ever going to win the rejection game, which means I have to get more submissions out there. So, if you’ll excuse me, I’m going to go write something, and as a parting gift, here’s a picture of a cute kitten. Celebrate your next rejection with it. We all deserve a little fun.

Go Ahead — Write This Story: Beginnings

Here are some writing prompts. If any of these prompt a story or idea for you, go for it! Ideas a free, and you can use these prompts freely any way you want.

“An angry man — there is my story: the bitter rancor of Achilles…” Thus Homer begins The Iliad. When does a story begin? To answer that question, you should understand your story thoroughly. Author John Kessel says a story begins when a situation loses balance. Homer begins his story when Agamemnon insults Achilles at the siege of Troy, they fight, and as a result, soon the souls of champions glut Hell while dogs and ravens feast on their corpses. Star Wars begins when Princess Leia sends a desperate plea for help that falls into the hands of her long-lost brother (spoiler, sorry) who, eventually, tries to destroy the evil Empire.

Here are some possible story beginnings:

• This made-for-TV movie begins when a wildlife biology crew comes to a ghost town on Mars to study the creatures who have made homes in the empty buildings.

• This cyberpunk story begins as artificially reformed convicts try to make their way in a society that doubts their transformations — transformations they themselves doubt.

• This story begins with Rio, the first baby born after the human population exceeds the supply of souls available for reincarnation.

ECO24: The Year’s Best Speculative Ecofiction

Anthologies tend to make less money than novels, yet they keep appearing. And I keep reading them. An anthology offers the chance to read a carefully curated selection, and I love short stories as an art form.

Apex Book Company asked me if I’d like to read an advanced copy of ECO24, The Year’s Best Speculative Ecofiction, and offer a blurb if I liked it.

I liked it a lot. Like every good anthology, the stories offer a range of approaches, including literary science fiction, magical realism, and dark fantasy. Some are set in the present, such as the war in Ukraine, others in the future, and they feature settings around our planet and beyond. Some are grim, many hopeful.

My favorite is “The Plasticity of Being” by Renan Bernardo, which illustrates the paradoxes of offering help to poor people. I also especially enjoyed “Bodies” by Cat McMahon about the dangers of being a clone, and “Thirteen Ways of Looking at a Blackened Husk of a Planet” by Adeline Wong about the emotional weight of being a student, with hints of poetry. But I could go on. There’s the quiet wisdom of “Batter and Pearl” by Steph Kwiatkowski, and the aspiration of “Father Time Dares You to Dream” by Trae Hawkins — and both stories take place near me.

My blurb:

Each author offers us a unique ecological niche to reveal what our present and future could be, ranging from wrenching disasters to elating possibilities of recovery. These stories are personal and lyrical, and the breadth of imagination and styles make this anthology dazzling. Every story is a gem.