My Hugo Award votes for Best Short Story

I’m an attending member of this year’s Worldcon in Glasgow, Scotland, in August, so I get to read and vote for the Hugo Awards. They’ll be presented at a formal ceremony on Sunday evening, August 11, and I’ll be there.

As often happens, the short story finalists overlapped with the Nebula Awards. I was pleased to see some Chinese finalists. The voting is ranked-choice, and here are my choices, but you may have different opinions — my husband doesn’t agree with me. It’s a solid ballot, and I congratulate the winner, whoever it is.

6. “Answerless Journey” by Han Song, translated by Alex Woodend (Adventures in Space: New Short stories by Chinese & English Science Fiction Writers) — Two people alone on a space journey seek answers and, instead, find something worse. A parable for our times. It’s a fine story but with a remote storytelling style.

5. “How to Raise a Kraken in Your Bathtub” by P. Djèlé Clark (Uncanny Magazine, January-February 2023) — No matter what they tell you, do not raise a kraken in your bathtub. Read the entire owner’s manual first, or else the result will be the basis of a cute old-timey story, perhaps a bit predictable but lots of fun.

4. “The Mausoleum’s Children” by Aliette de Bodard (Uncanny Magazine, May-June 2023) — An escapee from a space disaster goes back on a rescue mission. The story is told with the skill typical of Aliette de Bodard.

3. “Better Living Through Algorithms” by Naomi Kritzer (Clarkesworld May 2023) — A new app seems suspiciously and very specifically helpful. I laughed out loud. It ends with an obvious solution to app culture.

2. “The Sound of Children Screaming” by Rachael K. Jones (Nightmare Magazine, October 2023) — Not even a portal into fantasyland can save school children from an active shooter. A gut-wrenching story about our reality — the kind of story that fantasy is uniquely well-equipped to tell. It won my vote for the Nebula for being the most risk-taking among an excellent field of Nebula finalists.

1. “Tasting the Future Delicacy Three Times” by Baoshu (Galaxy’s Edge Vol. 13: Secret Room in the Black Domain) — What if technology could allow us to access the feelings of other people as they eat? Baoshu takes this idea to its logical extremes three times. You know it’s going to be bad, but how bad? Original and well-done. In the end, the originality won me over, edging out Jones’ story, but not by much.

The problems of the human heart

At the behest of a friend, I served as the fiction judge for this year’s South Warwickshire Literary Festival. I thought it would be fun, and it was. I read 136 flash-fiction stories — defined in the competition guidelines as 800 words or fewer— and I enjoyed them all. The challenging literary form of flash fiction can produce breathtaking little gems.

But which story was The Best? I winnowed them down to 51, then 18, then 5, and created a sort of spreadsheet to pick the winner based on criteria such as pacing, sensory details, dialogue, character arc, depth of conflict, motivation, emotional urgency, strength of voice, and storytelling technique. The tally was close, but a winner emerged.

In my Judge’s Report (you can read it here, halfway down the page), I discuss what matters to me the most when I write and when I read.

Decades ago, I encountered the speech by William Faulkner accepting the 1949 Nobel Prize in Literature, and he spoke of “the problems of the human heart in conflict with itself which alone can make good writing because only that is worth writing about, worth the agony and the sweat. … the old verities and truths of the heart, the old universal truths lacking which any story is ephemeral and doomed — love and honor and pity and pride and compassion and sacrifice.”

Of the 136 stories I read, the overwhelming majority dealt with those verities and truths. William Faulkner, you can rest in peace. (Your typewriter, shown in the photo, is still revered.) As proven by a little contest held in a corner of a shire in England, good writing endures.

My vote for the Nebula Award for Novella

Each year, the members of the Science Fiction and Fantasy Association choose the winners of the Nebula Awards in seven categories, including novelette (17,500 to 40,000 words). As a SWFA member, I get to read them and vote for the one I consider most deserving. Voting is closed, and the awards will be presented June 8.

One of the six nominees for Best Novella is a work of whimsical science fiction, and the rest take place in what Tolkien called secondary world fantasies: worlds that are different from our own in some way. The length allows for delightful explorations of these disparate worlds.

The Crane Husband by Kelly Barnhill (Tordotcom) — A retelling of a Japanese myth about family abuse is situated in the further abuse of corporate farming, and it recounts disturbing violence with lyrical writing.

Thornhedge by T. Kingfisher (Tor; Titan UK) — A knight, a half-fairy, and a changeling walk into a story … and something luminous happens, although fairies and humans mix disastrously. The sorrow is palpable and deftly told.

Untethered Sky by Fonda Lee (Tordotcom) — In a faraway land, rocs are trained to hunt and kill manticores, who terrorize its people. Well-told and richly detailed, following a familiar formula.

The Mimicking of Known Successes by Malka Older (Tordotcom) — It’s billed as “a cozy Holmesian murder mystery and sapphic romance, set on Jupiter.” Exactly.

Mammoths at the Gates by Nghi Vo (Tordotcom) — Cleric Chih returns to the Singing Hills Abbey, and war mammoths are menacing the gate. This installment in the Singing Hills Cycle is a quiet story about grief, memory, and family, with a beautiful twist at the end. It’s almost my vote for the Nebula, and if it’s your vote, I can’t quibble at all.

My vote:

Linghun by Ai Jiang (Dark Matter Ink) — Ghosts sometimes visit the homes in a special town, and the families who cannot move on from a loved one’s death move there — where they neglect their lives as their emotions grow more ugly. This fantasy takes the saddest stages of grief to their logical end and illuminates their toxicity with incision. Original and heartbreaking.

Former neighborhood restaurant demolished: a photo report

Across the street from the high-rise where I live in Chicago, right below my living room window, there used to be a Chinese restaurant called Wing Hoe. It opened 43 years ago in building that had originally been a mansion, built in 1913. The restaurant closed in December 2020 because the owners lost their lease, and the old house was going to be torn down and replaced by a 50-unit apartment building. (Photo by Jonathan Ballew/Block Club Chicago).

Plans stalled over zoning issues, and the property sat empty. Spaces in the old parking lot were rented out. A new building plan was eventually approved by 2023, but for some reason did not move forward. Meanwhile, the owners didn’t do a great job of maintaining the property or shoveling snow.

On Thanksgiving morning, 2023, before dawn, I woke to a two-alarm fire across the street.

The fire department put it out quickly with no injuries or apparent damage to the cars in the parking lot. Then the building sat burned-out and untended for a while. Our alderwoman reported: “Permits for demolition have been submitted and approved for January 2024, and the subsequent construction on the building is set to commence in March, 2024.”

But not much was done to secure the site or clean up the broken glass, despite complaints. Nothing happened in January — or February or March. Finally, our alderwoman had enough, and here in Chicago, the local alder is a mini-mayor with real power. An emergency demolition was ordered by the city.

In the third week of April, an excavator was delivered to the property, and on April 29, a crew showed up and got to work, perhaps to the surprise of the people renting parking spots.

A lot was accomplished by May 1.

Historic bricks, which have a good resale value, were collected on pallets and removed on May 3.

Some of the remaining rubble was pushed into the basement and covered over with clean dirt on May 7.

On May 10, it was a parking lot again. Will the fresh soil be covered with sod or grass seed, or will it sprout weeds? Or will it attract some of the neighborhood’s ambitious guerilla gardeners?

Eventually, construction will begin on a 50-unit building.

Groundbreaking was scheduled for two months ago, though. By the time it actually starts, the weeds might have grown lush and inviting to bees and butterflies. I wouldn’t mind.

My choice for the Nebula Award for Novelette

Each year, the members of the Science Fiction and Fantasy Association choose the winners of the Nebula Awards in seven categories, including novelette (7,500 to 17,500 words). As a member, I get to read them and vote for the one I consider most deserving. Voting is closed, and the awards will be presented June 8.

Two of the six novelettes are full-on dystopias and one is a catastrophe, which may speak to our times, alas. The other three could not be more different from each other. As with the short stories, I think all are worthy of nomination, and the variety speaks well to the strength of imagination within the genre.

“A Short Biography of a Conscious Chair” by Renan Bernardo (Samovar 2/23 in Englishin Portuguese)  — A chair, infused with sentience, witnesses a family drama, first with anxiety and confusion, then with a broken heart, and finally with joy.

I Am AI by Ai Jiang (Shortwave)— A gig cyborg worker, a writer, struggles to survive at the edge of an inhumane, predatory city. Could her life be better if she shed her humanity and became a true AI? This grim dystopia feels inspired by the way we treat creative work today.

“The Year Without Sunshine” by Naomi Kritzer (Uncanny 11–12/23) — A catastrophe fills the air with ash and causes major societal breakdown, and a Minneapolis neighborhood comes together to help everyone living there survive. More seems to be happening beyond the neighborhood, but like the cause of the catastrophe itself, no one in the neighborhood seems to talk about it. This is a cozy catastrophe and a paean to good will.

“Saturday’s Song” by Wole Talabi (Lightspeed 5/23) — Cosmic storytellers share a story and learn from it. The complex layers of the story add to its power.

“Six Versions of My Brother Found Under the Bridge” by Eugenia Triantafyllou (Uncanny 9–10/23) — A teenage girl makes a deal with the devil, or she thinks she might have, but things go wrong and then wronger. Tense, complex, symbolic, and almost a horror story until the end.

My vote:

“Imagine: Purple-Haired Girl Shooting Down The Moon” by Angela Liu (Clarkesworld 6/23) — An artist tries to survive in a relentless dystopia that seems to have a rule against every means of survival. “Life is an ugly ride that turns everyone into a monster eventually,” the artist concludes. She might not live long enough to become a monster. A fully-imagined story, but not for the faint-hearted.